Pure Land Buddhism venerates the Buddha Amitābha (Amida in Japanese) and originated in India, before spreading to China and eventually Japan. In Japan, Pure Land (Jodo Shū) and True Pure Land (Jōdo Shinshū) Buddhism were both founded in the 12th century, the former by the monk Hōnen and the latter by his disciple Shinran, but did not enjoy widespread popularity until the 15th century. Both traditions teach that humanity is in an age of spiritual decline, but that sincere faith in Amida Buddha can ensure that one is reborn into the Pure Land, where one will receive instruction in how to achieve enlightenment. However, Shinran also taught that due to the corrupt nature of humanity, there is nothing one can do to cultivate this faith, but rather it must be bestowed upon one by the grace of Amida Buddha. All that one can do is chant the Nembutsu (“Namu Amida Butsu”, or “Hail Amida Buddha”), an expression of gratitude to Amida Buddha, and hope for salvation. This teaching has occasionally been declared heretical by the orthodox Buddhist establishment in Japan, but today it is hugely popular, with Jōdo Shinshū being one of the most widely practiced branches of Buddhism in modern Japan.
Tag Archives: The Chronicles of Onin
The Chronicles of Ōnin #4: The Peasant Economy and the Jizamurai
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The Chronicles of Ōnin #3: Hosokawa Katsumoto and Yamana Sōzen
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The Chronicles of Ōnin #2: Yoshimasa and the Muromachi Court
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Ashikaga Yoshimasa unexpectedly became shogun at a young age, after his older brother Yoshikatsu died under possibly suspicious circumstances, and it is clear that he never really wanted the responsibility that came with the position. He was more interested in artistic and spiritual pursuits, and is known today not only for his mismanagement of the Ōnin War, but also for his patronage of the artistic traditions that developed into (now) classical Higashiyama culture. These traditions draw on Zen Buddhism and the concept of wabi-sabi (imperfection and impermanence), and include the tea ceremony, flower arranging, Noh theatre, ink painting, and certain forms of poetry. Before the outbreak of the Ōnin War, Yoshimasa ordered the construction of a new villa that he planned to (and eventually did) retire to, now called the Silver Pavilion (Ginkaku-ji), in contrast with the older and more ornate Golden Pavilion (Kinkaku-ji) commissioned by his grandfather Ashikaga Yoshimitsu. The understated and sometimes sorrowful nature of Higashiyama culture gains an extra poignancy upon learning of its origins in the bloody, and ultimately futile, Ōnin War.
The Chronicles of Ōnin #1: Civil War in Muromachi Japan
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The Pure Land depicts the decade-long Ōnin War in 15th century Japan, a civil war for control of the Muromachi Bakufu set against a backdrop of peasant unrest and religious militancy. This conflict precipitated the Sengoku (or Warring States) period that would continue into the 16th century, and was the beginning of the slow decline of the established order. In future articles I will go into more detail about the factions involved in the war and how I have chosen to depict them, but first I will set the scene with a short historical overview of this era.